Jan provoost
Dutch, born circa 1465-1529,South Netherlandish painter. He probably came into contact with Simon Marmion, the renowned painter and book illuminator from Valenciennes, via Jacquemart Pilavaine, a publisher and illuminator in his native Bergen. Provoost married Marmion's widow, Jeanne de Quaroube, before 1491, and it is thus assumed that Marmion was his teacher. In 1493 Provoost moved to Antwerp, a promising town for artists, where he registered as a master in the Guild of St Luke, but in 1494 he travelled to Bruges. He became a citizen there and soon played an important part in the painters' guild. In 1506 Maximiliaen Frans (1490-1547) was his pupil. Provoost received commissions for decorative work from the town council and church authorities in 1509, 1513 and 1520, the year of the Triumphal Entry of Charles V into Bruges, for which he worked on the decorations. He returned to Antwerp the same year to meet Albrecht Derer, who may have drawn his portrait. Derer visited Bruges in April 1521 and was Provoost's guest. Of Jan Provoost's children, Adriaen Provoost (b 1508) became a painter and Thomas Provoost a glassmaker, both active in Bruges. Jan Provoost's time as a pupil in a northern French miniaturist's workshop was of decisive influence on his later oeuvre. His work radiates assurance, with its precise drawing, restrained expression and airy landscapes, and he was successful in Bruges, where there was little competition after Hans Memling's death in 1494.

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Jan provoost Virgin and Child oil painting


Virgin and Child
first half of 16th century Medium Oil on oak panel cyf
Painting ID::  87297
Jan provoost
Virgin and Child
first half of 16th century Medium Oil on oak panel cyf
   
   
     

Jan provoost Abraham Sarah and the Angel oil painting


Abraham Sarah and the Angel
1520s Medium Oil on wood cyf
Painting ID::  87978
Jan provoost
Abraham Sarah and the Angel
1520s Medium Oil on wood cyf
   
   
     

Jan provoost The Coronation of the Virgin oil painting


The Coronation of the Virgin
1524(1524) Medium Oil on canvas transferred from wood cyf
Painting ID::  88593
Jan provoost
The Coronation of the Virgin
1524(1524) Medium Oil on canvas transferred from wood cyf
   
   
     

Jan provoost Christian Allegory oil painting


Christian Allegory
between 1510(1510) and 1515(1515) Medium Oil on wood cyf
Painting ID::  88658
Jan provoost
Christian Allegory
between 1510(1510) and 1515(1515) Medium Oil on wood cyf
   
   
     

Jan provoost Madonna and Child with two angels oil painting


Madonna and Child with two angels
Oil on panel Dimensions 56.5 x 50 cm (22.2 x 19.7 in) cyf
Painting ID::  88775
Jan provoost
Madonna and Child with two angels
Oil on panel Dimensions 56.5 x 50 cm (22.2 x 19.7 in) cyf
   
   
     

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     Jan provoost
     Dutch, born circa 1465-1529,South Netherlandish painter. He probably came into contact with Simon Marmion, the renowned painter and book illuminator from Valenciennes, via Jacquemart Pilavaine, a publisher and illuminator in his native Bergen. Provoost married Marmion's widow, Jeanne de Quaroube, before 1491, and it is thus assumed that Marmion was his teacher. In 1493 Provoost moved to Antwerp, a promising town for artists, where he registered as a master in the Guild of St Luke, but in 1494 he travelled to Bruges. He became a citizen there and soon played an important part in the painters' guild. In 1506 Maximiliaen Frans (1490-1547) was his pupil. Provoost received commissions for decorative work from the town council and church authorities in 1509, 1513 and 1520, the year of the Triumphal Entry of Charles V into Bruges, for which he worked on the decorations. He returned to Antwerp the same year to meet Albrecht Derer, who may have drawn his portrait. Derer visited Bruges in April 1521 and was Provoost's guest. Of Jan Provoost's children, Adriaen Provoost (b 1508) became a painter and Thomas Provoost a glassmaker, both active in Bruges. Jan Provoost's time as a pupil in a northern French miniaturist's workshop was of decisive influence on his later oeuvre. His work radiates assurance, with its precise drawing, restrained expression and airy landscapes, and he was successful in Bruges, where there was little competition after Hans Memling's death in 1494.

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